Napoleon

Gance's use of subjective camera was almost recklessly ambitious in its bid to give the spectator the most visceral viewing sensation, while his skill in blending and multiplying images (...) was unprecedented.

This magnificent piece of cinema history should be seen on the biggest screen possible.

...it was a glorious experience.

...youngsters and sentimental parents will be charmed, and the movie's overall sweetness is mitigated by the winningly dyspeptic attitude of the Australian wildlife.