We Don't Live Here Anymore

...listens carefully to what couples say in the privacy of their own long knowledge of themselves.

While the adults’ separate vexations and transient needs serve as narratives for their own discontent, the children’s perspective offers another true enough fiction.

This is Who's Afraid of Virginia Woolf? for disaffected young marrieds. The film, sometimes talky and overemphatic, is also literate, erotic, brutally funny and touched by brilliance in its quartet of live-wire performances.

Because the characters are so skillfully drawn on the page and in the nuanced performances of these fine actors, their respective reactions to the turmoil in their relationships (...) reveal true pathos and insight.

...a wrenchingly intimate drama of marital infidelity, is the kind of movie for, and about, grown-ups that people used to talk about wanting to see but that just about no one makes anymore.